{"id":7719433797869,"title":"Troublemakers in Trousers","handle":"troublemakers-in-trousers","description":"\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch1\u003eTroublemakers in Trousers\u003c\/h1\u003e\n\u003ch2\u003eWomen and What They Wore to Get Things Done\u003c\/h2\u003e\n\u003c!-- - - - - - - - ENTER AUTHOR\/ILLUSTRATOR INFO BELOW - - - - - - - --\u003e\n\u003cp\u003eBy: \u003ca href=\"\/pages\/sarah-albee\"\u003eSarah Albee\u003c\/a\u003e \/ Illustrated by: \u003ca href=\"\/pages\/kaja-kajfez\"\u003eKaja Kajfež\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - ENTER HEADING BELOW - - - - - - - --\u003e\n\u003ch3\u003e\u003cb data-mce-fragment=\"1\"\u003eIt's time to put your big-girl pants on.\u003c\/b\u003e\u003c\/h3\u003e\n\u003c!-- - - - - - - - ENTER DESCRIPTION BELOW - - - - - - - --\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMeet twenty-one women throughout history who broke fashion and norms to do something groundbreaking in this unique middle-grade collection that celebrates trailblazers and troublemakers.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGirls and women have historically been denied access to work, been blocked from the arts, refused the opportunity to lead and fight, and much more, simply because of their gender. From Hatshepsut to Joan of Arc to Frida Kahlo, \u003c\/span\u003e\u003ci\u003eTroublemakers in Trousers\u003c\/i\u003e\u003cspan\u003e highlights twenty-one women who, for different reasons, wore men’s clothing, pretended to be men, and broke the rules in order to do something they wanted—or needed—to do.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER RECOMMENDATIONS BELOW - - - - - - - -- - - --\u003e\n\u003cdiv class=\"recommended-books\"\u003e\n\u003cp\u003eIf you like this book, you’ll enjoy these: \u003cbr\u003e\u003ca href=\"\/products\/bad-girls\"\u003eBad Girls\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - START OF TABS - - - - - - - -- - - --\u003e\n\u003cp\u003e[TABS]\u003c\/p\u003e\n\u003ch5\u003eLook Inside\u003c\/h5\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-spread.jpg?v=1650908892\" style=\"display: block; margin-left: auto; margin-right: auto;\" class=\"cvr-border-gray\"\u003e\u003c!-- Please call pinit.js only once per page --\u003e \u003cscript src=\"\/\/assets.pinterest.com\/js\/pinit.js\" data-pin-hover=\"true\" data-pin-height=\"32\" data-pin-shape=\"round\" defer async=\"\" type=\"text\/javascript\"\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - ENTER DOWNLOADABLES BELOW - - - - - - - - - - --\u003e\n\u003ch5\u003eDownloadables\u003c\/h5\u003e\n\u003cdiv class=\"medium-cover\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-cover.jpg?v=1650908943\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"btn-wrapper\"\u003e\u003ca class=\"product-btn\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-cover-hires.jpg.zip?v=1650908892\"\u003eDownload the Cover\u003c\/a\u003e\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - ENTER AUTHOR BIO BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eAuthor \u0026amp; Illustrator\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSarah Albee, author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSarah Albee is the \u003c\/span\u003e\u003ci\u003eNew York Times\u003c\/i\u003e\u003cspan\u003e bestselling author of more than 100 books for kids, including \u003c\/span\u003e\u003ci\u003eAccidental Archaeologists: True Stories of Unexpected Discoveries\u003c\/i\u003e\u003cspan\u003e. Prior to being a full-time writer, Sarah worked at Children’s Television Workshop (producers of \u003c\/span\u003e\u003ci\u003eSesame Street\u003c\/i\u003e\u003cspan\u003e) for nine years. She played basketball in college, and then a year of semi-professional women’s basketball in Cairo, Egypt. She lives in Brooklyn, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/pages\/sarah-albee\"\u003eRead more \u003c\/a\u003eabout Sarah.\u003c\/p\u003e\n\u003c!-- - - - - - - ENTER ILLUSTRATOR BIO BELOW - - - - - - - - - - - --\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKaja Kajfež, illustrator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKaja Kajfež developed her love of drawing as a child, and she earned a degree in multimedia, design, and application at University North in Croatia. She focuses on illustration, lettering, and surface pattern design. She loves exploring different historical periods, looking through old picture books, and spending time with her dog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/pages\/kaja-kajfez\"\u003eRead more\u003c\/a\u003e about Kaja.\u003c\/p\u003e\n\u003c!-- - - - - - - - - ENTER AWARDS \u0026 HONORS BELOW - - - - - - - - --\u003e\n\u003ch5\u003eAwards \u0026amp; Honors\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eA New York Public Library Best Book of 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- - - - - - - - - - ENTER REVIEWS BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eEditorial Reviews\u003c\/h5\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eSchool Library Journal\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt wasn’t until 2013 that France finally repealed a law against women wearing pants. The prolific Albee explores the impact of social mores in which women had to break the law, confounding social order to achieve their goals—in pants. With such an engaging premise, the stories of 20 women are detailed, from Queen Hatshepsut to Marcenia “Toni” Stone, the first woman to play major-league baseball. Women disguised themselves as men for many reasons: fighting for freedom, supporting their families, and creating art. Well-chosen insets broaden the historical context that triggered their choices. Fascinating facts like “silk wouldn’t tear if an arrow pierced the body, making it easier to yank the arrow out” informed Mongol soldier Khutulun’s fashion choices. Readers learn of the hostility toward women and discover the lengths they went to—such as walking 150 miles to enlist in the Union army, as Deborah Sampson did. Kajfez’s colorful, full-page portraits open chapters in a carefully detailed, cartoon style that counters the primary source images. Illustrations, photos, maps, and carefully selected visuals authenticate the subjects, although captions are occasionally too brief. The strength of these short biographies is the subjects themselves; a diverse, international, and exceptional group.\u003c\/p\u003e\n\u003cp\u003eVERDICT: Albee delivers in-depth portraits enticing enough to inspire further study; for all middle grade nonfiction collections\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwenty capsule biographies of historical women who wore trousers or men’s clothing.\u003c\/p\u003e\n\u003cp\u003eThe women portrayed in these short, illustrated narratives wore traditionally male clothing for different reasons. Harriet Tubman found skirts to be a hinderance when helping enslaved people escape; Vesta Tilley was an English-born drag performer during the late 19th and early 20th centuries. Many of the women disguised themselves as men so they could work in professions forbidden to women, while Ellen Craft disguised herself to escape slavery. The pharaoh Hatshepsut portrayed herself as male because that’s what pharaohs were, and if Frida Kahlo were alive today, “we might describe her as gender fluid.” Historical photographs and paintings add interest, although with descriptions pushed to endnotes, their often intriguing context is hard to find. A contemporary, slangy voice wavers between forced and quite funny, and the sidebars that pepper the collection (on everything from smallpox to the gender spectrum to “How To Start Up a Model T”) are informative and mostly rather interesting. About half of the subjects are White, though Black, Native American, Mongolian, and Indian women are covered as well. Almost all are from the 18th and 19th centuries in the United States or Western Europe. The final biography (of Marguerite Johnson, streetcar conductor) has such a satisfying reveal that it brings thematic closure to the whole collection.\u003c\/p\u003e\n\u003cp\u003eColorful, fun, relatable tastes of history that may tempt readers into further research. (author’s note, notes, bibliography, image credits, index)\u003c\/p\u003e\n.\u003c\/blockquote\u003e\n\u003c!-- - - - - - - - - - - - ENTER DETAILS BELOW - - - - - - - - - - - --\u003e\n\u003ch5\u003eDetails\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e\u003cbr\u003eISBN: \u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"9781623540951\"}' data-sheets-userformat='{\"2\":2048,\"14\":{\"1\":3,\"3\":1}}'\u003e978-1-62354-095-1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE-book\u003c\/strong\u003e\u003cbr\u003eISBN: \u003cspan data-mce-fragment=\"1\" data-sheets-value='{\"1\":2,\"2\":\"9781632898531\"}' data-sheets-userformat='{\"2\":2048,\"14\":{\"1\":3,\"3\":1}}'\u003e978-1-63289-853-1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAges: 9-12\u003cbr\u003ePage count: 176\u003cbr\u003e7 \u003cmeta charset=\"utf-8\"\u003e\u003csup data-mce-fragment=\"1\"\u003e1\u003c\/sup\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\u003c\/span\u003e\u003csub data-mce-fragment=\"1\"\u003e2\u003c\/sub\u003e x 9\u003c\/p\u003e\n\u003cp\u003e[\/TABS]\u003c\/p\u003e","published_at":"2022-04-25T14:05:15-04:00","created_at":"2022-04-25T13:44:34-04:00","vendor":"Charlesbridge","type":"Children's Book","tags":["Browse by Age_Ages 6-10","Browse by Age_Middle Grade","Browse by Fiction\/Nonfiction_Nonfiction","Browse by Language_English","Browse by Subject_Art\/Music\/Theater","Browse by Subject_Diversity","Browse by Subject_Gift Books","Browse by Subject_History \u0026 Biography","Browse by Subject_Social Studies\/Cultures"],"price":1899,"price_min":1899,"price_max":1899,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42743958569197,"title":"Hardcover","option1":"Hardcover","option2":null,"option3":null,"sku":"40951","requires_shipping":true,"taxable":false,"featured_image":{"id":37068704121069,"product_id":7719433797869,"position":1,"created_at":"2022-04-25T13:49:28-04:00","updated_at":"2022-04-25T13:49:29-04:00","alt":null,"width":300,"height":361,"src":"\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969","variant_ids":[42743958569197]},"available":true,"name":"Troublemakers in Trousers - Hardcover","public_title":"Hardcover","options":["Hardcover"],"price":1899,"weight":369,"compare_at_price":null,"inventory_quantity":9,"inventory_management":"shopify","inventory_policy":"continue","barcode":"9781623540951","featured_media":{"alt":null,"id":29634419458285,"position":1,"preview_image":{"aspect_ratio":0.831,"height":361,"width":300,"src":"\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969"],"featured_image":"\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969","options":["Title"],"media":[{"alt":null,"id":29634419458285,"position":1,"preview_image":{"aspect_ratio":0.831,"height":361,"width":300,"src":"\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969"},"aspect_ratio":0.831,"height":361,"media_type":"image","src":"\/\/charlesbridgeteen.com\/cdn\/shop\/products\/troublemakers-in-trousers-cover.jpg?v=1650908969","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003ch1\u003eTroublemakers in Trousers\u003c\/h1\u003e\n\u003ch2\u003eWomen and What They Wore to Get Things Done\u003c\/h2\u003e\n\u003c!-- - - - - - - - ENTER AUTHOR\/ILLUSTRATOR INFO BELOW - - - - - - - --\u003e\n\u003cp\u003eBy: \u003ca href=\"\/pages\/sarah-albee\"\u003eSarah Albee\u003c\/a\u003e \/ Illustrated by: \u003ca href=\"\/pages\/kaja-kajfez\"\u003eKaja Kajfež\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - ENTER HEADING BELOW - - - - - - - --\u003e\n\u003ch3\u003e\u003cb data-mce-fragment=\"1\"\u003eIt's time to put your big-girl pants on.\u003c\/b\u003e\u003c\/h3\u003e\n\u003c!-- - - - - - - - ENTER DESCRIPTION BELOW - - - - - - - --\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMeet twenty-one women throughout history who broke fashion and norms to do something groundbreaking in this unique middle-grade collection that celebrates trailblazers and troublemakers.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGirls and women have historically been denied access to work, been blocked from the arts, refused the opportunity to lead and fight, and much more, simply because of their gender. From Hatshepsut to Joan of Arc to Frida Kahlo, \u003c\/span\u003e\u003ci\u003eTroublemakers in Trousers\u003c\/i\u003e\u003cspan\u003e highlights twenty-one women who, for different reasons, wore men’s clothing, pretended to be men, and broke the rules in order to do something they wanted—or needed—to do.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - - ENTER RECOMMENDATIONS BELOW - - - - - - - -- - - --\u003e\n\u003cdiv class=\"recommended-books\"\u003e\n\u003cp\u003eIf you like this book, you’ll enjoy these: \u003cbr\u003e\u003ca href=\"\/products\/bad-girls\"\u003eBad Girls\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - START OF TABS - - - - - - - -- - - --\u003e\n\u003cp\u003e[TABS]\u003c\/p\u003e\n\u003ch5\u003eLook Inside\u003c\/h5\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-spread.jpg?v=1650908892\" style=\"display: block; margin-left: auto; margin-right: auto;\" class=\"cvr-border-gray\"\u003e\u003c!-- Please call pinit.js only once per page --\u003e \u003cscript src=\"\/\/assets.pinterest.com\/js\/pinit.js\" data-pin-hover=\"true\" data-pin-height=\"32\" data-pin-shape=\"round\" defer async=\"\" type=\"text\/javascript\"\u003e\u003c\/script\u003e\u003c\/p\u003e\n\u003c!-- - - - - - - - - - - ENTER DOWNLOADABLES BELOW - - - - - - - - - - --\u003e\n\u003ch5\u003eDownloadables\u003c\/h5\u003e\n\u003cdiv class=\"medium-cover\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-cover.jpg?v=1650908943\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"btn-wrapper\"\u003e\u003ca class=\"product-btn\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0750\/0101\/files\/troublemakers-in-trousers-cover-hires.jpg.zip?v=1650908892\"\u003eDownload the Cover\u003c\/a\u003e\u003c\/div\u003e\n\u003c!-- - - - - - - - - - - - ENTER AUTHOR BIO BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eAuthor \u0026amp; Illustrator\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSarah Albee, author\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSarah Albee is the \u003c\/span\u003e\u003ci\u003eNew York Times\u003c\/i\u003e\u003cspan\u003e bestselling author of more than 100 books for kids, including \u003c\/span\u003e\u003ci\u003eAccidental Archaeologists: True Stories of Unexpected Discoveries\u003c\/i\u003e\u003cspan\u003e. Prior to being a full-time writer, Sarah worked at Children’s Television Workshop (producers of \u003c\/span\u003e\u003ci\u003eSesame Street\u003c\/i\u003e\u003cspan\u003e) for nine years. She played basketball in college, and then a year of semi-professional women’s basketball in Cairo, Egypt. She lives in Brooklyn, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/pages\/sarah-albee\"\u003eRead more \u003c\/a\u003eabout Sarah.\u003c\/p\u003e\n\u003c!-- - - - - - - ENTER ILLUSTRATOR BIO BELOW - - - - - - - - - - - --\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKaja Kajfež, illustrator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKaja Kajfež developed her love of drawing as a child, and she earned a degree in multimedia, design, and application at University North in Croatia. She focuses on illustration, lettering, and surface pattern design. She loves exploring different historical periods, looking through old picture books, and spending time with her dog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/pages\/kaja-kajfez\"\u003eRead more\u003c\/a\u003e about Kaja.\u003c\/p\u003e\n\u003c!-- - - - - - - - - ENTER AWARDS \u0026 HONORS BELOW - - - - - - - - --\u003e\n\u003ch5\u003eAwards \u0026amp; Honors\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eA New York Public Library Best Book of 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- - - - - - - - - - ENTER REVIEWS BELOW - - - - - - - - - --\u003e\n\u003ch5\u003eEditorial Reviews\u003c\/h5\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eSchool Library Journal\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt wasn’t until 2013 that France finally repealed a law against women wearing pants. The prolific Albee explores the impact of social mores in which women had to break the law, confounding social order to achieve their goals—in pants. With such an engaging premise, the stories of 20 women are detailed, from Queen Hatshepsut to Marcenia “Toni” Stone, the first woman to play major-league baseball. Women disguised themselves as men for many reasons: fighting for freedom, supporting their families, and creating art. Well-chosen insets broaden the historical context that triggered their choices. Fascinating facts like “silk wouldn’t tear if an arrow pierced the body, making it easier to yank the arrow out” informed Mongol soldier Khutulun’s fashion choices. Readers learn of the hostility toward women and discover the lengths they went to—such as walking 150 miles to enlist in the Union army, as Deborah Sampson did. Kajfez’s colorful, full-page portraits open chapters in a carefully detailed, cartoon style that counters the primary source images. Illustrations, photos, maps, and carefully selected visuals authenticate the subjects, although captions are occasionally too brief. The strength of these short biographies is the subjects themselves; a diverse, international, and exceptional group.\u003c\/p\u003e\n\u003cp\u003eVERDICT: Albee delivers in-depth portraits enticing enough to inspire further study; for all middle grade nonfiction collections\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eKirkus Reviews\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwenty capsule biographies of historical women who wore trousers or men’s clothing.\u003c\/p\u003e\n\u003cp\u003eThe women portrayed in these short, illustrated narratives wore traditionally male clothing for different reasons. Harriet Tubman found skirts to be a hinderance when helping enslaved people escape; Vesta Tilley was an English-born drag performer during the late 19th and early 20th centuries. Many of the women disguised themselves as men so they could work in professions forbidden to women, while Ellen Craft disguised herself to escape slavery. The pharaoh Hatshepsut portrayed herself as male because that’s what pharaohs were, and if Frida Kahlo were alive today, “we might describe her as gender fluid.” Historical photographs and paintings add interest, although with descriptions pushed to endnotes, their often intriguing context is hard to find. A contemporary, slangy voice wavers between forced and quite funny, and the sidebars that pepper the collection (on everything from smallpox to the gender spectrum to “How To Start Up a Model T”) are informative and mostly rather interesting. About half of the subjects are White, though Black, Native American, Mongolian, and Indian women are covered as well. Almost all are from the 18th and 19th centuries in the United States or Western Europe. The final biography (of Marguerite Johnson, streetcar conductor) has such a satisfying reveal that it brings thematic closure to the whole collection.\u003c\/p\u003e\n\u003cp\u003eColorful, fun, relatable tastes of history that may tempt readers into further research. 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Troublemakers in Trousers


Troublemakers in Trousers

Women and What They Wore to Get Things Done

By: Sarah Albee / Illustrated by: Kaja Kajfež

It's time to put your big-girl pants on.

Meet twenty-one women throughout history who broke fashion and norms to do something groundbreaking in this unique middle-grade collection that celebrates trailblazers and troublemakers.

Girls and women have historically been denied access to work, been blocked from the arts, refused the opportunity to lead and fight, and much more, simply because of their gender. From Hatshepsut to Joan of Arc to Frida Kahlo, Troublemakers in Trousers highlights twenty-one women who, for different reasons, wore men’s clothing, pretended to be men, and broke the rules in order to do something they wanted—or needed—to do.

Maximum quantity available reached.

Sarah Albee, author

Sarah Albee is the New York Times bestselling author of more than 100 books for kids, including Accidental Archaeologists: True Stories of Unexpected Discoveries. Prior to being a full-time writer, Sarah worked at Children’s Television Workshop (producers of Sesame Street) for nine years. She played basketball in college, and then a year of semi-professional women’s basketball in Cairo, Egypt. She lives in Brooklyn, New York.

Read more about Sarah.


Kaja Kajfež, illustrator

Kaja Kajfež developed her love of drawing as a child, and she earned a degree in multimedia, design, and application at University North in Croatia. She focuses on illustration, lettering, and surface pattern design. She loves exploring different historical periods, looking through old picture books, and spending time with her dog.

Read more about Kaja.

  • A New York Public Library Best Book of 2022

School Library Journal

It wasn’t until 2013 that France finally repealed a law against women wearing pants. The prolific Albee explores the impact of social mores in which women had to break the law, confounding social order to achieve their goals—in pants. With such an engaging premise, the stories of 20 women are detailed, from Queen Hatshepsut to Marcenia “Toni” Stone, the first woman to play major-league baseball. Women disguised themselves as men for many reasons: fighting for freedom, supporting their families, and creating art. Well-chosen insets broaden the historical context that triggered their choices. Fascinating facts like “silk wouldn’t tear if an arrow pierced the body, making it easier to yank the arrow out” informed Mongol soldier Khutulun’s fashion choices. Readers learn of the hostility toward women and discover the lengths they went to—such as walking 150 miles to enlist in the Union army, as Deborah Sampson did. Kajfez’s colorful, full-page portraits open chapters in a carefully detailed, cartoon style that counters the primary source images. Illustrations, photos, maps, and carefully selected visuals authenticate the subjects, although captions are occasionally too brief. The strength of these short biographies is the subjects themselves; a diverse, international, and exceptional group.

VERDICT: Albee delivers in-depth portraits enticing enough to inspire further study; for all middle grade nonfiction collections

Kirkus Reviews

Twenty capsule biographies of historical women who wore trousers or men’s clothing.

The women portrayed in these short, illustrated narratives wore traditionally male clothing for different reasons. Harriet Tubman found skirts to be a hinderance when helping enslaved people escape; Vesta Tilley was an English-born drag performer during the late 19th and early 20th centuries. Many of the women disguised themselves as men so they could work in professions forbidden to women, while Ellen Craft disguised herself to escape slavery. The pharaoh Hatshepsut portrayed herself as male because that’s what pharaohs were, and if Frida Kahlo were alive today, “we might describe her as gender fluid.” Historical photographs and paintings add interest, although with descriptions pushed to endnotes, their often intriguing context is hard to find. A contemporary, slangy voice wavers between forced and quite funny, and the sidebars that pepper the collection (on everything from smallpox to the gender spectrum to “How To Start Up a Model T”) are informative and mostly rather interesting. About half of the subjects are White, though Black, Native American, Mongolian, and Indian women are covered as well. Almost all are from the 18th and 19th centuries in the United States or Western Europe. The final biography (of Marguerite Johnson, streetcar conductor) has such a satisfying reveal that it brings thematic closure to the whole collection.

Colorful, fun, relatable tastes of history that may tempt readers into further research. (author’s note, notes, bibliography, image credits, index)

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Hardcover
ISBN: 978-1-62354-095-1

E-book
ISBN: 978-1-63289-853-1

Ages: 9-12
Page count: 176
1/2 x 9